Buch: Beauty and the Banknote: Unterschied zwischen den Versionen
Keine Bearbeitungszusammenfassung |
Keine Bearbeitungszusammenfassung |
||
| (3 dazwischenliegende Versionen von 2 Benutzern werden nicht angezeigt) | |||
| Zeile 1: | Zeile 1: | ||
'''Beauty and the Banknote''' | '''Beauty and the Banknote''' | ||
''Images of Women on Paper Money'' | ''Images of Women on Paper Money'' | ||
[[Bild:Hewitt.jpg|thumb|220px|Beauty and the Banknote]] | |||
Fachbuch | |||
= Produktinformation = | |||
''' | Autor:<span style="color:#0000EE;"> '''Virginia Hewitt''' </span> <br> | ||
Seiten: 64<br> | |||
Format:246 x 190 mm<br> | |||
Broschur<br> | |||
Klebebindung<br> | |||
Verlag: British Museum Press, London<br> | |||
Auflage: 1994<br> | |||
Sprache: Englisch<br> | |||
<br> | |||
'''online bestellen:'''<br> | |||
ISBN 0-7141-0877-4<br> | |||
= Buchinformation = | |||
Das Buch erschien anläßlich einer Ausstellung in British Museum vom 17. Mai bis 18. September 1994.<br> | |||
''Aus dem Rückseitentext:''<br> | |||
From cool allegory to haughty beauty, images of women have adorned paper money across the world for almost two hundred years. Proud Britannias and crowned monarchs, glamour-girls and cotton-pickers have all been summonedto proclaim the wealth of a bank, the power of a state, or the glory of a nation. Beyond their official role, however, the reveal how female figures on mass-produced objects both reflect and reinforce our conflicting pereceptions of women and their place in society. | |||
Aktuelle Version vom 9. Januar 2010, 11:37 Uhr
Beauty and the Banknote
Images of Women on Paper Money
Fachbuch
Produktinformation
Autor: Virginia Hewitt
Seiten: 64
Format:246 x 190 mm
Broschur
Klebebindung
Verlag: British Museum Press, London
Auflage: 1994
Sprache: Englisch
online bestellen:
ISBN 0-7141-0877-4
Buchinformation
Das Buch erschien anläßlich einer Ausstellung in British Museum vom 17. Mai bis 18. September 1994.
Aus dem Rückseitentext:
From cool allegory to haughty beauty, images of women have adorned paper money across the world for almost two hundred years. Proud Britannias and crowned monarchs, glamour-girls and cotton-pickers have all been summonedto proclaim the wealth of a bank, the power of a state, or the glory of a nation. Beyond their official role, however, the reveal how female figures on mass-produced objects both reflect and reinforce our conflicting pereceptions of women and their place in society.
